Word of the Week: Numinous

May 7, 2012

As in:  “To hear the unembodied call of a place, that numinous  voice, one has to wait for it to speak through the harmony of its features-the soughing of the wind across it, its upward reach against a clear night sky, its fragrance after a rain.”

 Lopez, B. H., & Gwartney, D. (2010). Introduction.  In Home ground: Language for an American landscape (p.xviii).  Retrieved from  http://site.ebrary.com/lib/emmanuel/docDetail.action?docID=10492532&p00=numinous

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Word of the Week: Sere

April 30, 2012

As in:  “The Sonoran Desert, sere and zipping past, could have enhanced that idea, certainly.”

Finnegan, W. (2008, September 29).  The Last Tour. The New Yorker, 84(30), 71.

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Word of the Week: Haptic

April 23, 2012

As in: “The haptic eye becomes a point of reference for poets and artists who look closely at their territory, who discern its size and scale; who carefully draw the lines defining nooks, edges, and crannies and relief of its surface; who follow the roads and rivers cutting and winding through it … who touch the lairs and recesses inspiring the fantasies that mark what they see and what, in turn we observe before our eyes.”

Conley, T. (2011). Introduction. In An errant eye: Poetry and topography in early modern France (p. 2). Retrieved  from http://site.ebrary.com/lib/emmanuel/docDetail.action?docID=10442226&p00=haptic

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Word of the Week: Raiment

April 17, 2012

As in: “Words are a kind of raiment with which each character broadcasts a sense of his own uniqueness.”

Lahr, J. (2012, March 12).  Minority Reports. The New Yorker, 88(4), 80.   [Review of the play, Tribes.]

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Word of the Week: Rune

April 9, 2012

As in:  “From the magic rune to Derrida’s generalized writing, a fundamental assumption regarding the principles of literary aesthetics is that the written word escapes the control of its author and becomes partly dependent on the whim of the reader.”

Larsen, S.E, I. (1998).  Benjamin: A literary critic? New Literary History, 29(1), 135-151.  Retrieved from http://muse.jhu.edu.webadvisor.emmanuel.edu:2048/journals/new_literary_history/v029/29.1larsen.html

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Word of the Week: Prolix

April 2, 2012

As in:  “…, Christopher (Jeff Perry), the prolix patriarch, explains.”

Lahr, J. (2012, March 12).  Minority Reports. The New Yorker, 84(4), 80.   [Review of the play, Tribes.]

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Word of the Week: Ecotone

March 27, 2012

As in: “Ecotones, we know, are perilous places, where predators appear from both sides of the margin, but they are productive places, too, abundant in diversity” (p.131).

Marshall, I., & Simpson, M. (2006).  Deconstructing haiku. College Literature, 33(3), 117-134.  doi:10.1353/lit.2006.0042

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Word of the Week: Raconteur

March 19, 2012

As in: “Your Grandpa is quite a raconteur.”

Crane, B. (2011, October 30).  Pickles [Comic Strip]. The Boston Globe.  

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Word of the Week: Deliquesce

February 27, 2012

As in: “Like ice into water, words deliquesce into meaning.”

Osborn, S. (2006).  Reconsidering Elizabeth Bowen. MFS Modern Fiction Studies, 52(1), 187-197. doi: 10.1353/mfs.2006.0037

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Word of the Week: Impecunious

February 21, 2012

As in: “Where was the impecunious son at the time of the murder?”

Acocella, J. (2010, August 16 & 23).  Queen of Crime: How Agatha Christie created the modern murder mystery. The New Yorker, 86(24), 86.  

  • Explore definitions at the library’s E-Ready Reference Resources site using the Dictionaries listed on Research Guide: Dictionaries, Encyclopedias, etc..
  • Resources about the history of the crime and detective fiction genres include:
    -  Shiach, M. (1999). Detective fiction.  In L. Sage, G. Greer,  & E. Showalter (Eds).  The Cambridge Guide to Women’s Writing in English. Cambridge: Cambridge University Press.  Retrieved from Credo Reference
    - Stevenson, J. A. (1998). Crime, detective and mystery novel.  In P. Schellinger, C.  Hudson,  & M. Rijsberman (Eds.), Encyclopedia of the Novel. Chicago: Fitzroy Dearborn Publishers.  Retrieved from LION: Literature Online.
     

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