Word of the Week: Imbrication

as in: “While public murals, modernist and otherwise, were a significant component of the fair, they were neither positioned nor understood in the way Cahill and other supporters of public muralism preferred-as an ideal means of democratizing the arts and developing a more inclusive public culture, as an alternative to the imbrication of the arts within the gallery-museum-market system.”

Patterson, J. (2010). Modernism and murals at the 1939 New York World’s Fair.  American Art, 24(2), 50-73. doi: 10.1086/656459

Posted by the Reference Department

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